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News

“Pain is the cry of a soul that wants to go home.” – Graham Watson
“Melodic black/death metal hasn’t had its last word. Blooded Crown doesn’t just prove that—they’re rewriting the rules.”— Metal Hammer Latin America

New music

Voluntary Mortification, the Christian deathcore band from Lansing, Michigan, just dropped a savage new single — a blistering cover of Job for a Cowboy’s iconic track “Entombment of a Machine.” This is no ordinary cover. It’s a raw, wild tribute that rips through the original’s brutal riffs and guttural growls while weaving in a higher spiritual message.
Metal isn't just about the noise—it's about the message. And when it comes to delivering both with apocalyptic force, nobody does it quite like Testimony of Apocalypse. Their latest single, "Lost to the Flame (Agony in the Garden III)," isn't just another heavy track; it's a declaration of war against musical mediocrity and spiritual complacency.

Reviews

There are moments in metal history where a debut not only makes noise — it transforms the landscape, announces a new force, and etches its name into the walls of the underground like an infernal sigil. King’s Hammer’s To Speak In Tongues is one of those moments.
In the ever-evolving landscape of metalcore, few albums have dared to push boundaries as audaciously as Monuments To Nothing by band Exoneration. This debut full-length from the transatlantic duo—American guitarist Corey Stiles and Dutch vocalist Arnaud Zijp—offers a sonic journey that is both diverse and uncompromising. Released on August 29, 2025, via Rottweiler Records, the album challenges listeners to confront the hollow grandeur of human achievements and the monuments we erect in our own image.

Extras

In the delicate landscape of contemporary Polish music, a new voice emerges, soft yet powerful, introspective yet bold. Pola Błasik, known primarily as an actress in television and theater, has stepped into the musical realm with her debut album "Powidoki" - a collection of sonic memories that blur the lines between personal reflection and universal experience.
When the dust of creative silence settles, true artists emerge with renewed vigor. Such is the case with Believe, the Polish progressive rock powerhouse led by former Collage guitarist Mirek Gil, who have broken their seven-year hiatus with their latest masterpiece, "The Wyrding Way." The album, featuring their compelling new single "Shine," demonstrates not just evolution, but a complete metamorphosis of their signature sound.